![]() On the foot of this fifth century Attic red-figure calyx-krater byvase the is Nikiasthe potters signature: Nikias, the son of Her- Painter (Pis. 125, 432, New York: The Metropolitan Museum of Art. A CALYX-KRATER IN VIRGINIA BY THE NIKIAS PAINTER WITH THE BIRTH OF ERICHTHONIOS The Virginia Museum recently acquired a Britishsplendid Museum late which he painted2. Art of the Classical World in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome no. 299–300, Athens: Hellenic Ministry of Culture. The Euphronios (Sarpedon) krater is a red-figure calyx krater made in Athens circa 515 BC, signed by Euxitheos as potter and Euphronios as painter. Pompe und Thysia: Attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen. Download Free PDF View PDF Red-figure Pottery of. Lexicon Iconographicum Mythologiae Classicae (LIMC). Function of red-figure imagery as a medium for visualizing socio-political ideals and elements of identity. Athenian Red Figure Vases: The Classical Period, a Handbook. Lexicon Iconographicum Mythologiae Classicae (LIMC). "Die Zehn attischen Phylenheroen: Geschichte, Mythos, Kult und Darstellungen." Mitteilungen des Deutschen Archäologischen Instituts, Athenische Abteilung, Beiheft, 5: no. The New Century Handbook of Greek Art and Architecture. ![]() Paralipomena: Additions to Attic Black-Figure Vase-Painters and to Attic Red-Figure Vase-Painters. ![]() "Greek Vases from the Hearst Collection." Bulletin of the Metropolitan Museum of Art, 15(7): pp. "Medea at Marathon." American Journal of Archaeology, 60(2): pp. ![]()
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